Sunday, March 8, 2020

Major themes of Middlemarch

ASSIGNMENT
PAPER No. 2
The Victorian Literature

  • Dabhi Rita A.
  • M. A Sem :- 2
  • Roll no. :- 20
  • Topic :- Themes of Middlemarch
  • email : dabhirita1198@gmail.com
  • Enrollment no. :- 2069108420200007
  • Submitted :-Department of English                     Maharaja Krishnakumarsinhji Bhavnagar                    University





πŸ’  Why might George Eliot have written about the role of marriage. Consider the role of money. Consider the role of political progress.

πŸ’  About Author :-


                  Middlemarch, in full title Middlemarch : A study of provincial life, novel by Mary Ann Evans (22 November 1819 - 22 December 1880)  known by her pen name George Eliot. Middlemarch is considered to be George Elliot's masterpiece. The novel was published in eight parts in 1871-72 and also published in Four volumes in 1872 . In the novel Eliot described many issues including the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education etc. The focus, however, is on the thwarted idealism of its two principal characters, Dorothea Brooke and Tertius Lydgate, both of whom marry disastrously. Apart from this novel she wrote manny other notable works like,
  • Middlemarch
  • Felix Holt
  • Scenes of Clerical Life
  • Romola
  • Adam Bede”
  • Daniel Deronda
  • The Mill on the Floss
  • Silas Marner

πŸ’  Major themes  :-

                      Theme is defined as a main idea or an underlying meaning of a literary work, which may be stated directly or indirectly. In the Middlemarch we find that George Eliot who described many mejor themes like,  the role of money, society of Middlemarch as a web, role of marriage, and political reform etc. So, let's discuss the themes of Middlemarch one by one.

πŸ’  Role Of Money (πŸ’ΈπŸ’°πŸ’Έ) :-

                      Here in the novel we find that both money and the lack of it cause many problems for the characters in Middlemarch. In the novel some characters are obsessed with money , whereas others spurns it. The novel presents a variety of ways in which money issues can have a damaging, even ruinous impact on a person's life. The way in which money has a problematic impact on people's lives is through the greed simulated by the possibility of inheritance. This is best demonstrated by the scene of Mr. Featherstone's funeral , when all his money relatives assemble to hear the reading of his will. This scene brings out the very worst in the assembled characters; rather than focusing on mourning Featherstone or even just maintaining dignity during the reading of the will, they greedily obsess over how much they will inherit from him. This is illustrated by the description of Fred Vincy biting his cheeks to stop himself from smiling when he learns of his inheritance.
                                       Another significant way in which money ruins people’s lives is the concept of “dirty money,” which becomes especially prominent toward the end of the novel. When a desperate Lydgate is forced to the brink of declaring bankruptcy, he accepts a loan offered to him by Bulstrode. It turns out that this money was acquired through deception and theft, and when this fact emerges Lydgate is implicated in the scandal that ensues, making him a pariah in Middlemarch society. In the novel along with Ladislaw, Dorothea and Caleb Garth are other examples of characters who reject greed. Dorothea repeatedly says she hates her wealth, and she eventually chooses to marry Ladislaw even though the stipulation in Casaubon’s will means that doing so will make her lose everything she inherited from her deceased husband.

πŸ’  The society of Middlemarch as a web :-

                        In the novel we find that Elliot continuously uses the metaphor of a web. A small society of Middlemarch is a metaphor for an intricate web of social relationship. The story in the novel reveals the reciprocal correlation between an individual character and the external society. She intricately weaves together the disparate life experiences of a large cast of characters. Many characters subscribe to a world-view; others want to find a world-view to organize their lives. For example, Lydgate wants to do great things as a doctor/researcher, but his marriage to the very conventional Rosamond and his attempts to go his own way are both failures. One needs allies to buck convention—and a supportive wife. Lydgate's lack of understanding of the web of society and his bad marriage means he ends up selling out his talent for money, something Eliot condemns. All of society suffers when a person can't pursue their talents and ideals. In the Middlemarch we see that Lydgate himself suffers from an empty life as he abandons his youthful hopes. And also in the novel we see that especially in the cases of Dorothea and Lydgate, the web of society traps people so that they can not fully use their gifts.

                       The absence of a single, triumphant world-view to organize all life is the basic design of Middlemarch. The web of Elliot's Middlemarch (1871-72)  reflects this advocacy of communication on many levels. Her vast knowledge of natural and physical science helped to create its structure and imagery, and the novel's network. The novel offers the communications web as an epistemological and moral model, suggesting that the securest knowledge and the finest life are those richest in connections.

πŸ’  Marriage :-

               Marriage is  one of the major and central themes of the novel Middlemarch . Most of the characters in Middlemarch marry for rather than obligation, yet marriage still appears negative and unromantic. In the Middlemarch we find that two examples are the failed marriage of Dorothea and Lydgate. Dorothea's  marriage failed because of her youth and of her disillusions about marrying a much older man.

                        And on the other side we find  that Lydgate's marriage fails because of his irreconcilable personality. Mr. and Mrs. Bulstrod also faces a marital crisis due to his inability to tell her about the past, and Fred Vincy and Mary Girth also face a great deal of hardship in making their union. As none of the marriages  reach a perfect fairytale ending. Middlemarch offers a clear critique of the usual portrayal of marriage as romantic and unproblematic.

πŸ’  Political Reform :-

                  This is another important theme of the novel. Politics and science seem equally to offer the prospect of social improvement to Eliot’s characters. The Catholic Relief Act of 1829 has just been passed, removing the long-standing ban on Roman Catholics becoming Members of Parliament at Westminster. Reform is in the air. The people of Middlemarch continue to debate ‘the Catholic question’, but there are even greater changes on the horizon. Politics possesses Dorothea’s uncle Mr Brooke, who stands as a parliamentary candidate in support of the Reform Bill introduced by the government of Lord Grey, who became Prime Minister in 1830. What was called The Representation of the People Act eventually passed in 1832.

                Mr Brooke is on the side of parliamentary reform, a cause suspiciously regarded by many of the burgers of Middlemarch. Brooke is supported by Will Ladislaw, a far more intelligent idealist, who tries to advise him but frets at his incompetence. Brooke is convinced that the times are with him – ‘we shall make a new thing of opinion here’ – but proves a poor advocate of progress (ch. 46).George Eliot’s first readers lived in a post-Reform age and are invited to think that the 1832 Act was overdue and modest in its ambitions.  Yet it is entirely characteristic of the novel that enthusiasm for reform is depicted with rueful irony.

πŸ’ To concluded :-

                       A major theme in Middlemarch is Eliot's exploration of the way the web of society is both necessary and restrictive. Eliot argues that we are not simply individuals pursuing our own desires but that what we do impacts the people around us, and their actions, in turn, impact us. Middlemarch is not about a lone hero, or a handful of lone heroes, but about the life of an entire town. For this reason, Eliot subtitled her novel "A Study of Provincial Life."
















Sunday, February 23, 2020

Slow Movement

Welcome readers!

πŸ’  Slow Movement :-

"Slow down and everything you are
closing will come around and catch you"

~ John De Paola


                  It is a culture revolution against the notion that faster is always better. The slow philosophy is not about doing everything at a snail's pace. It is about seeking to do everything at the right speed.


                       Carl Honore's 2004 book  In Praise Of Slow , in this book we find that he explored how the slow philosophy might be applied in very field of human endeavour and coined the phrase " Slow Movement ".  And also Jean Baudrillard, Paul Virilio and Ulrich Beck who gave the different way to outcome the danger of speed. Jean Baudrillard described the term, " Simulacra " of postmodern life which have taken the place of real objects. Baudrillard geve the description of reality and artificial things that how its changes the life of people.

Ulrich Beck discussed on the risk society. Risk theory for cultural studies reveals the extent that society or Culture thrives on risk providing information about potential risk, possible solution and so on. Beck said that while looking for the solution of the problem, the solution itself turn down to be problem. Thus, above all information we can say that Slow Movement creates the way of dangerous which put harm effect on society.  All above three Baudrillard, Virilio and Beck gave idea of new technology, speed of science and risk society which connected with culture. And also life of people.

Thinking Activity : Digital humanity

Hello friends !

                Welcome to my blog.


πŸ’  Define digital humidity ?



                The digital humanities, also known as humanities computing is a field of study, research, teaching, and invention concerned with the intersection of computing and the disciplines of the humanities. It is methodological by nature and interdisciplinary in scope. It involves investigation, analysis, synthesis and presentation of information in electronic form. It studies how these media affect the disciplines in which they are used, and what they discipline have to contribute to our knowledge of computing .

                The real origin of the term digital humanities was in conversation with Andrew McNeillie,  the original aquiring editor for the Blackwell Companion to Digital Humanities. In 2008 the Digital Humanities Initiative became the Office of Digital Humanities, the designation of “office” assigning the program (and its budget line) a permanent place within the agency. 

Friday, February 21, 2020

Thinking Activity : cultural study in practice : Frankenstein and writer's market

Welcome readers !

♣️ Frankenstein in contemporary Indian culture :-


             In the Routledge Literary Sourcebook on Frankenstein, Timothy Marton uses the term Frankenphemes, drawn from Phonemes ( Sonic elements of language as used in structural linguistic)and graphemes (visual elements), as " elements of culture that are derived from Frankenstein". Broadly defined, Frankenphemes demonstrate the entext of the novel's presence in world cultures, as the encoding of race and class in the 1824 Canning speech in parliament, in today's global debates about such thing as a genetically engineered food and of course in fiction and other media .

♣️ The Greatest Horror Story Ever Written :- 

                   Frankenstein's fictions Peter Haining , editor of the indispensable Frankenstein Omnibus has called Frankenstein "the single greatest Horror Story novel ever written and the most widely influential in its genre".  Apparently the first writer to attempt a straightforward short tail inspired by Frankenstein was Herman melville whose story "The Bell Tower"  was published in puritan monthly magazine in 1855. In Renaissance Italy, a scientist constructs a mechanical man to ring the hours on a bill in a tall tower, but it turns instead upon its creator .

         Jack London's early story " A Thousand Deaths" (1897) is a gruesome science fiction tele of a scientist who stays at sea on his laboratory ship, repeatedly killing then reviving his son, until the son has enough and kills his father.

♣️ Frankenstein On The Stage :-

                     The first theatrical presentation based on Frankenstein was Presumption or, The Fate of Frankenstein by Richard Brinsley Peake , performed at the English Opera House in London in the summer of 1823 and  subsequently reviewed meny time. Mary Shelley her self attend the play and pronounced it authentic. But this "serious" drama immediately inspired parodies , first with Frankenstitch in 1823, a burlesque featuring a tailor , who as the " Needle Prometheus " sews a body out of nine corpses later that year opened Franke-n-steam , in which a student foolishly revives the corpse of a bailiff.

                 In modern time Frankenstein has been a staple of many stages. Frankenstein And His Bride was performed at a club called Strip City in Los Angeles in the late 1950s. " Oh, What A Beautiful Morning" and " Ghoul of My Dreams". The children's production H. R. Pufustuf toured the United States in 1972 and featured Witchiepoo the which creating a Frankenstein monster.

♣️ Film Adaptation :-

              In the Frankenstein Omnibus, readers can study the screenplay fourth 1931 James Whale film Frankenstein, the most famous of all adaptations , It was loosely based on the novel with the addition of new elements, including the placing of a criminal brain into the monsters body . The first film version of Frankenstein, however, was produced by Thomas Edison in 1910 , a one-real tinted silent . The early film, including this one, were able to move away from the melodrama and clumsy moralism of the stage production and focus on more dreamlike and bizarre episodes that have more to do with the novels theme of creation.  Farly German films that were heavily influenced by this Frankenstein were The Cabinet of Dr Caligari (1920) , The Golem (1920), and Metropolis (1927).